![]() ![]() Both clips will need a camera LUT to color correct as without one, the footage will look washed out, sometimes have colors that seem off, and you may end up with very unsatisfactory results. A video clip shot with an ARRI looks way different from one shot with a Sony CineAlta upon offloading. It adjusts the footage so that the color correction tools work properly. In a digital workflow, there are two types that are central to what your color graded footage will look like: camera LUTs and style or look LUTs.Īn input or camera LUT is used at the beginning of the color correction process. There are many types of LUTs, ranging from LUTs that are meant to calibrate your monitor to LUTs that translate the colors on your screen to colors on film. Oh, and did I mention, in most NLEs all of this is just one click away? LUTs adjust and alter gamma, contrast, saturation, luminance and hue, and at the end of the day your footage may look dramatically different from what you shot in the first place. When you apply a LUT to footage, you are actually applying pre-defined mathematical formulas to the existing colors of your footage which change them in certain ways, sometimes even replacing the colors your camera shot altogether. **45% off Products for 1 week and Color Finale for M1 available now** This app solves most of the issues that crop up soon after you have invested in LUT packs. And while some LUTs are free to download, the best and most appealing ones cost money, some a lot of it.Ĭolor Trix now has a solution to that problem in the form of an app, called Color Finale LUTs. ![]() However, collecting large numbers of the things may quickly lead to thousands of small files on your system of which you have no idea what they make your footage look like. LUTs seem like a great idea to have for when you are in a hurry, or if you are not very creative or a color grading novice. Even Sony has some free downloadable LUTs for some of their professional video camera’s. LUTs or Lookup Tables are like color filters and there are millions of them. 6 years of experience creating LUTs for filmmakers to help them achieve their goals without issues or endless time learning.Tired of having to load each LUT to see what the effect will be on your footage? Color Finale LUTs collates and previews your LUTs for you. We kept on doing what everyone loved and now here we are. Everyone who was buying our LUT packs were loving them! We were so surprised about the feedback we got from other filmmakers. This developed into creating many different styles of colors, usable in many scenarios. ![]() So once we created our own Log LUTs to help us fix this issue, we thought, wait! There must be other filmmakers around the world struggling with the exact same issue, so we decided to pass our LUTs on for a small fee to help us cover the time to produce more. We began shooting Log profile many years ago using Sony cameras and found there was serious issues in grading Log footage. We started creating LUTs because we needed them for our work. The reason we know they work so well, is because we are filmmakers ourselves. We always find room for improvement and do whatever we can to make our LUTs the best they can be. We believe our LUTs stand above the rest, we are perfectionists in our industry and hate seeing faults. We have been making LUTs for over 6 years now, so much development and skill has gone down into creating these colors and we want to make it accessible for everyone, beginner or professional to achieve such a high standard of color grading. We want to show our customers our most loved LUTs we built. We are super proud with what we have created. Our Best LUT Packs - A Decade of Color Grading
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